LIMITED EDITION OF 300 — 140 gram black opaque 12" vinyl in white inner sleeve in extra soft reverse-board jacket featuring custom, full color, one-of-a-kind analog lenticular artwork that "self-animates" when removed from or inserted into the companion polybag + DIGITAL DOWNLOAD —
Includes digital pre-order of Patterns For Resonant Space LP.
You get 2 tracks now
(streaming via the free Bandcamp app
and also available as a high-quality download in MP3, FLAC and more), plus the
complete album the moment it’s released.
digital album releases July 28, 2017
item ships out within 5 days
edition of 300
Streaming + Download
Pre-order of Patterns For Resonant Space LP. You get 2 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
In tonality and design, "Patterns for Resonant Space" soundtracks a solitary journey through old photographs, building and deconstructing each composition in tandem with each narrative. The group’s pianist, Ian Temple, describes the recording process:
“This album was an experiment in reverse engineering our normal composition process. We started with sounds and noises, and then I responded to those with piano. We didn't have any piano ideas written before recording day, so I was able to respond in a very pure way to what I heard. With every melodic idea, I aimed to create the most simple possible statement, something succinct and focused to parallel the way that each track is defined by a few very specific sounds. I think we ended up with 20+ short piano ideas recorded in my living room on my childhood upright, and then narrowed it down to the ones that told the best story.”
In conjunction with Temple, Jeremy Young and Jesse Perlstein utilized a diverse mosaic of electronic equipment to assemble a textured base throughout the album. Calling on tape loops, signal generators, field recordings, an organ, and a glockenspiel, they explored new terrain at The Pines in Montreal. The duo played sounds through amps, miking each room in different spots to capture their true aural qualities. This method of recording would limit the digital editing process and reflect the uniqueness of that particular space and experience.
The result of the group’s experiment is a hazed nostalgia; a collection of 10 compositions passively investigating the caverns and cul de sacs of our shared conscious.
Patterns For Resonant Space was captured by David
Bryant, through amps, direct circuitry, and in a resonant
room called The Pines, Montreal, 2015. Piano recorded by Ian
Temple & Jesse Perlstein at home in Brooklyn, 2016. Chatter
on no.8 by Sam Ackerley. Mastered by Guiseppe Ielasi.
Melodic and photographic intent cleared…finally…by the
estate of Bern’rd Hoffmann.
Artwork and Design by Nicholas Concklin.
Executive Produced by John Moses and Nicholas Concklin.